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Every exhibition is a movie. It has a beginning and an end, a plot, a structure, and possibly a climax in between. It follows a linear progression since your body can occupy only one point in space at a time, and therefore, it has a duration as well. With each exhibition, I ask myself: What kind of movie is this going to be? An action thriller, a drama, a comedy, a porn? How do we structure the exhibition? What impression do we want to give the visitor right from the start? Do we begin with a wild car chase or a slow helicopter flight over the open sea? Does someone get shot with a loud bang right away, or do we start with a long, abstract detail blending into an opening scene? What is the conceived soundtrack that we hear in our minds while immersing into the works? How do we guide someone through space, time, and the narrative? How do we tell the story, organize the sequences, and manipulate experience?”